Conceptual Art

What is conceptual art? This term came into use in the late 1960s to describe a wide range of types of art that no longer took the form of a conventional art object.

Conceptual art movement is probably the most radical and the most controversial plane in modern and contemporary art. Some artists, experts and art historians even dismiss it as art.

Meaning, origins, characteristics of conceptualism.

Tate glossary definition for conceptual art: Term that came into use in the late 1960s to describe a wide range of types of art that elevated the concept or the idea behind the work over traditional aesthetic and material concerns.

Artworks and artists: Conceptual art is a movement that prizes ideas over the formal or visual components of art works. An amalgam of various tendencies rather than a tightly cohesive movement, Conceptualism took myriad forms, such as performances, happenings, and ephemera.

Conceptual art, sometimes simply called Conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns.

Works in which the idea, planning, and production process are more important than the result. The term gained currency in the 1960s as a result of Sol LeWitt?s 1967 article "Paragraphs on Conceptual Art" in Artforum. Conceptual art can take many forms, including, most frequently, descriptions and seemingly objective photographic documentation.

Artwork whose medium is an idea (or a concept), usually manipulated by the tools of language and sometimes documented by photography.

In the wake of Abstract Expressionism, a number of painters developed strategies that extended the life of painting while simultaneously pointing to its inevitable demise. Jasper Johns's flags and targets were epistemological cul-de-sacs-the image they portrayed could not be separated from their material qualities, literally, as flag or target (1998.329).

The philosophy of art addresses a broad spectrum of theoretical issues arising from a wide variety of objects of attention. These range from Paleolithic cave painting to postmodern poetry, and from the problem of how music can convey emotion to that of the metaphysical status of fictional characters. Until recently, however, philosophical interest in conceptual art, or conceptualism, has been notably sparse.

Tactically, conceptualism is no doubt the strongest position of the three; for the tired nominalist can lapse into conceptualism and still allay his puritanic conscience with the reflection that he has not quite taken to eating lotus with the Platonists.

A historically minded primer on the often-intangible medium that, in the hands of artists from Duchamp to Lawrence Weiner, helped transform art as we knew it in throughout the 20th century.

How to Make Conceptual Art. In conceptual art, it is the idea being conveyed that is most important, not the actual art itself. The conceptual art movement became popular in the 1960's through such artists as Richard Long and Yoko Ono and the definition of art began to change throughout culture. Conceptual art can utilize text, sculpture,...