Suprematism

Suprematism, Russian suprematizm , first movement of pure geometrical abstraction in painting, originated by Kazimir Malevich in Russia in about 1913.

In this lesson, learn about Suprematism, a Russian art movement, developed by painter Kasimir Malevich in 1915. You'll understand this different type of art, one that didn't rely on images or narrative and then you'll test your knowledge with a quiz!

Suprematists were formed in around 1915 by Russian painter Kasimir Malevich. It was one of the first abstract movements that involved geometric abstraction.

Tate glossary definition for suprematism: Name given by the Russian artist Kasimir Malevich to the abstract art he developed from 1913 characterised by basic geometric forms, such as circles and lines, painted in a limited range of colours.

Artworks and artists: Suprematism was one of the most radical developments in abstract art that would be superior to all the art of the past, and that it would lead to art's barest essentials and ultimate glory.

Suprematism is an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors.

First movement of pure geometrical abstraction in painting, originated by Kazimir Malevich in Russia in about 1913. In his first Suprematist work, a pencil drawing of a black square.

Suprematism (1913-18): Type of Russian Abstract Painting Invented by Kasimir Malevich.

Suprematism and Art History.

History of Graphic Design, Graphic Designers, Art and Design Movements, Motion Graphics, Typography, Color, Design, graphic, Design, Reference, Referenced, A collection of information intended to be used as a primer and a reference tool in relation to the history of graphic design

Suprematism is the supremacy of pure feeling, filled with the spirit of non-objective sensation which pervades everything.

Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of "pure artistic feeling." Malevich stridently announced Suprematism's arrival with the staging of "The last Futurist exhibition of paintings," self-consciously positioning himself against the reigning avant-garde movements of the time and declaring a total rupture with the art of the past.

Russian artists around the time of World War II and shortly thereafter were probably the most avant-garde artists in the world as well as the most abstract.