1930

Young Woodley is a 1930 British drama film directed by Thomas Bentley and starring Madeleine Carroll, Frank Lawton and Sam Livesey.

Young Man of Manhattan is a 1930 film made by Paramount Pictures, directed by Monta Bell, and starring Claudette Colbert, Norman Foster, Ginger Rogers and Charles Ruggles. It had been filmed in New York City.

Whoopee! is a 1930 American Pre-Code musical comedy film photographed in two-color Technicolor. The plot of the film closely followed the 1928 stage show produced by Florenz Ziegfeld.

Westfront 1918 (German: Vier von der Infanterie) is a German film, set mostly in the trenches of the Western Front during World War I. It was directed in 1930 by Georg Wilhelm Pabst, from the novel Vier von der Infanterie by Ernst Johannsen, and deals with the impact of the war on a group of infantrymen. It featured an ensemble cast led by screen veterans Fritz Kampers and Gustav Diessl; Diessl had been a prisoner of war for a year during the war.

Way for a Sailor (1930) is an American Pre-Code film starring John Gilbert. The supporting cast includes Wallace Beery, Jim Tully, Leila Hyams, and Polly Moran. The film was directed by Sam Wood, who insisted on no screen credit. The film is reputed to be so bad that the studio might have used it to sabotage leading man Gilbert's career in the sound era due to animosity from Louis B. Mayer. MGM produced a Spanish language version of this film, Love in Every Port, starring Jose Crespo and Conchita Montenegro.

Wara Wara is a 1930 Bolivian feature film, directed by José María Velasco Maidana, combining historical drama and romance. The film was described as a "superproduction" by the press at the time.

The W Plan is a 1930 British spy film produced and directed by Victor Saville, from a screenplay which he also co-wrote with Miles Malleson and Frank Launder, based on the novel of the same name by Graham Seton. It starred Brian Aherne, Madeleine Carroll, Gibb McLaughlin, and Gordon Harker. When this film was released in the United States, Aherne was appearing in The Barretts of Wimpole Street on Broadway, and receiving praise for his performance as Robert Browning. The film was a critical success, but did not do well at the box office.

Viejo smoking (English title:Old dinner jacket) is a 1930 Argentine short musical film directed and written by Eduardo Morera, based on a play by Florencio Chiarello. It stars Carlos Gardel and Inés Murray.

The Vagabond King is a 1930 American musical operetta film photographed entirely in two-color Technicolor. The plot of the film was based on the 1925 operetta of the same name, which was based on the 1901 play If I Were King by Justin Huntly McCarthy. The play told the story of a renegade French poet named François Villon. The music of the film was based on a 1925 operetta, also based on the play If I Were King by McCarthy. The operetta is also titled The Vagabond King with music by Rudolph Friml and lyrics by Brian Hooker and W.H. Post. The film was nominated for an Academy Award for Best Art Direction.

Under the Roofs of Paris (French: Sous les toits de Paris) is a 1930 French film directed by René Clair. The film was probably the earliest French example of a filmed musical-comedy, although its often dark tone differentiates it from other instances of the genre. This was an early example of sound film in France, along with Prix de Beauté and L'Age d'Or. However, Under the Roofs of Paris was the first French production of the sound film era to achieve great international success.

Under A Texas Moon is a 1930 American Pre-Code musical western film photographed entirely in Technicolor. It was based on the novel Two-Gun Man (from 1929) which was written by Stewart Edward White. It was the second all-color all-talking feature to be filmed entirely outdoors as well as being the second western in color and the first all-talking all-color western. The film features one theme song by the title of "Under A Texas Moon."

Two Hearts in Waltz Time (Original title: Zwei Herzen im 3/4 Takt or Zwei Herzen im Dreiviertel Takt, literally Two Hearts in 3/4 Time) is a 1930 German film directed by Géza von Bolváry and starring Walter Janssen, Oskar Karlweis, Willi Forst, Gretl Theimer and S.Z. Sakall. It is an operetta written directly for the screen, with music by Robert Stolz.

True to the Navy is a 1930 Romantic comedy film directed by Frank Tuttle for Paramount Pictures. The film stars Clara Bow as a counter girl at a San Diego drugstore with a predilection for sailors. Eventually she sets her sights on Bull's Eye McCoy (Fredric March), a stiff-necked gunners mate.

Tom Sawyer is a 1930 American Pre-Code drama film directed by John Cromwell and starring Jackie Coogan. The screenplay by Grover Jones, William Slavens McNutt, and Sam Mintz is based on the 1876 novel The Adventures of Tom Sawyer by Mark Twain.

The Three from the Filling Station (German: Die Drei von der Tankstelle) is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today.

The Temporary Widow is a 1930 British-German comedy film by the Austrian director Gustav Ucicky, starring Laurence Olivier in his first film role, Lilian Harvey and Athole Stewart.

Tarakanova is a 1930 French historical drama film directed by Raymond Bernard and starring Édith Jéhanne, Paule Andral and Olaf Fjord. It depicts the life of Princess Tarakanoff the pretender to the throne of Catherine II in Eighteenth Century Russia.

Sweet Kitty Bellairs is a 1930 American musical comedy film directed by Alfred E. Green. The film is based on the 1900 novel, The Bath Comedy by Agnes Caste and Egerton Castle. Shot entirely in Technicolor, the film stars Claudia Dell, Ernest Torrence and, Walter Pidgeon and is set in Bath, England in 1793.

Street of Chance is a 1930 American Pre-Code film directed by John Cromwell and starring William Powell, Jean Arthur, Kay Francis and Regis Toomey.

Soup to Nuts is an American Pre-Code feature film written by Rube Goldberg and directed by Benjamin Stoloff, which marks the film debut of the original four members who would later, minus Ted Healy, go on to become known as The Three Stooges comic trio. Goldberg made a cameo appearance in the film as himself, opening letters in a restaurant.

Prazdnik svyatogo Yorgena is a 1930 Soviet, partly silent comedy film by Yakov Protazanov and starring Igor Ilyinsky.

Spring Is Here is a 1930 American Pre-Code musical comedy film produced by First National Pictures and distrubuted by Warner Bros. It was adapted by James A. Starr from the 1929 musical play, of the same name, by Owen Davis, with music by Richard Rodgers and Lorenz Hart. The film stars Lawrence Gray, Alexander Gray, and Bernice Claire.

The Song of Love (Italian: La canzone dell'amore) is a 1930 Italian romance film directed by Gennaro Righelli and starring Dria Paola, Isa Pola and Elio Steiner. It was the first Italian talking film. Alessandro Blasetti's film Resurrection was actually shot first, but delays meant that it was not released until 1931.

Song o' My Heart is a 1930 Pre-Code American film, starring John McCormack, Alice Joyce, Maureen O'Sullivan, Effie Ellsler and John Garrick. This was O'Sullivan's second film role.

Son of the Gods is a 1930 American Pre-Code romantic drama film with Technicolor sequences, produced and released by First National Pictures, a subsidiary of Warner Bros. Pictures. It was adapted from the novel of the same name by Rex Beach. Richard Barthelmess and Constance Bennett star as a couple in love who have a falling-out when she discovers that, though he looks Caucasian, he is actually Chinese.

Show Girl in Hollywood is a 1930 American Pre-Code all-talking musical comedy-drama film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros.. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl, by J. P. McEvoy.

The Rogue Song is a 1930 romantic musical film which tells the story of a Russian bandit who falls in love with a princess, but takes his revenge on her when her brother rapes and kills his sister. It was directed by Lionel Barrymore and Hal Roach (uncredited) and released by Metro-Goldwyn-Mayer. The film stars Lawrence Tibbett who was nominated for an Academy Award for Best Actor for his performance. Laurel and Hardy have small roles, which were filmed at the last minute and interspersed throughout the film in an attempt to boost the film's box office appeal. The Rogue Song is now considered a lost film, although a number of fragments have survived.

The Return of Dr. Fu Manchu is a 1930 American Pre-Code film, the second of three starring Warner Oland as the fiendish Fu Manchu, who returns from apparent death in the previous movie to seek revenge on those he holds responsible for the death of his wife and child. It was loosely adapted from the novel of the same name by Sax Rohmer.

Raffles is a 1930 American Pre-Code comedy-mystery film produced by Samuel Goldwyn. It stars Ronald Colman as the titular character, a proper English gentleman who moonlights as a notorious jewel thief, and Kay Francis as his love interest. It is based on the 1906 play Raffles, the Amateur Cracksman by E. W. Hornung and Eugene Wiley Presbrey, which was in turn adapted from the 1899 novel of the same name by Hornung.

Puttin' On the Ritz (1930) is a musical film, directed by Edward Sloman and starred Harry Richman, Joan Bennett, and James Gleason. The screenplay was written by James Gleason and William K. Wells, based on a story by John W. Considine, Jr.

Prix de Beauté (English: Beauty Prize, UK title: Miss Europe) is a 1930 film directed by Augusto Genina. The film is notable for being the first sound film made by star Louise Brooks, although all of her dialogue and singing were dubbed. This film is an early example of sound film in France, along with L'Age d'Or and Under the Roofs of Paris.

People on Sunday (German: Menschen am Sonntag) is a 1930 German silent drama film directed by Curt and Robert Siodmak from a screenplay by Billy Wilder. The film follows the lives of a group of residents of Berlin on a summer's day during the interwar period. Hailed as a work of genius, it is a pivotal film not only in the development of German cinema but also of Hollywood. In addition to the Siodmak brothers and Wilder, the film features the talents of Edgar G. Ulmer (producer), Fred Zinnemann (cinematography) and Eugen Schüfftan, who had developed the Schüfftan process for Metropolis three years earlier.

Peacock Alley is a 1930 American musical romantic drama film directed by Marcel de Sano, and starring Mae Murray and George Barraud. The film is a remake of the 1921 silent film of the same name in which Murray also stars. Aside from Murray being cast in the lead, the remake was largely different from the 1921 silent film. While Murray's character in the 1921 film was named Cleo, she was renamed Claire Tree in this film. George Barraud replaced Monte Blue as the male lead, who is now named Clayton Stoddard.

Paramount on Parade (1930) is an all-star American Pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.

Paid is a 1930 American Pre-Code drama film starring Joan Crawford, Robert Armstrong, and Kent Douglass in a story about a wrongly accused ex-convict who seeks revenge on those who sent her to prison using a scam called the "Heart Balm Racket".

Outside the Law is a 1930 American Pre-Code crime film directed by Tod Browning and starring Edward G. Robinson. The picture is a remake of the 1920 film of the same name, starring Lon Chaney and also directed by Browning.

The Other (German: Der Andere) is a 1930 German drama film directed by Robert Wiene and starring Fritz Kortner, Käthe von Nagy and Heinrich George. It was based on the 1893 play Der Andere by Paul Lindau. A French-language version The Prosecutor Hallers was shot by Wiene immediately afterwards in the same Berlin studio, but with different actors.

Not So Dumb (1930) is a Pre-Code comedy motion picture starring Marion Davies, directed by King Vidor, and produced for Cosmopolitan Productions for Metro-Goldwyn-Mayer.

No, No, Nanette is a 1930 American Pre-Code musical comedy film with Technicolor sequences produced and released by First National Pictures, a subsidiary of Warner Bros.. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.

Night Birds is a 1930 British-German thriller film directed by Richard Eichberg and starring Jack Raine, Muriel Angelus and Jameson Thomas. A separate German language version Der Greifer was made at the same time.

Nerone (1930) is an Italian comedy film, directed by Alessandro Blasetti. It stars Ettore Petrolini as the main actor. It has been described as a "Roman farce", a genre which was popular in Italy at the time. It is a parody of imperial Rome and of the notorious Roman emperor, Nero.

The Mystery of the Yellow Room (in French Le mystère de la chambre jaune) by Gaston Leroux, is one of the first locked-room mystery crime fiction novels. It was first published in France in the periodical L'Illustration from September 1907 to November 1907, then in its own right in 1908.

Murder! is a 1930 British drama film co-written and directed by Alfred Hitchcock and starring Herbert Marshall, Norah Baring and Edward Chapman. Written by Hitchcock, his wife Alma Reville and Walter C. Mycroft, it is based on a novel and play called Enter Sir John by Clemence Dane and Helen Simpson. It was Hitchcock's third all-talkie film, after Blackmail and Juno and the Paycock.

Morocco is a 1930 American Pre-Code romance drama film directed by Josef von Sternberg and starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou. Based on the novel Amy Jolly by Benno Vigny and adapted by Jules Furthman, the film is about a cabaret singer and a Legionnaire who fall in love during the Rif War, but their relationship is complicated by his womanizing and the appearance of a rich man who is also in love with her. The film is most famous for the scene in which Dietrich performs a song dressed in a man's tailcoat and kisses another woman (to the embarrassment of the latter), both of which were rather scandalous for the period.

Monte Carlo is a 1930 American Pre-Code musical comedy film, directed by Ernst Lubitsch. It stars Jeanette MacDonald as Countess Helene Mara. The film is notable for the song "Beyond the Blue Horizon", which was written for the film and was performed by Jeanette MacDonald. The film was also hailed by critics as a masterpiece of the newly emerging musical genre. The screenplay was based on the Booth Tarkington novel Monsieur Beaucaire.

Min and Bill is a 1930 American Pre-Code comedy-drama film starring Marie Dressler and Wallace Beery and based on Lorna Moon's novel Dark Star, adapted by Frances Marion and Marion Jackson. The movie tells the story of dockside innkeeper Min's tribulations as she tries to protect the innocence of her adopted daughter Nancy, all while loving and fighting with boozy fisherman Bill, who resides at the inn.

Manslaughter is a 1930 Pre-Code drama film directed by George Abbott, and starring Claudette Colbert and Fredric March. An original print of the film is saved in the UCLA Film and Television Archive.

The Man from Blankley's is a lost 1930 American Pre-Code comedy film, directed by Alfred E. Green. It starred John Barrymore and Loretta Young. The film was based on the 1903 play by Thomas Anstey Guthrie, writing under the pseudonym "F. Anstey". The film was Barrymore's second feature length all-talking film. A previous silent film version of Anstey's play by Paramount Pictures appeared in 1920 as The Fourteenth Man starring Robert Warwick. That version is also lost.

Mammy (1930) is an American Pre-Code musical drama film with Technicolor sequences, released by Warner Bros. The film starred Al Jolson and was a follow-up to his previous film, Say It With Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It With Songs (1929). The movie relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.

Mamba is a 1930 American Pre-Code film, released by Tiffany Pictures. It was shot entirely in Technicolor and stars Jean Hersholt, Eleanor Boardman, Ralph Forbes, Josef Swickard, Claude Fleming, William Stanton and William von Brincken. It was based on a story by Ferdinand Schumann-Heink and John Reinhardt and was advertised as the First Drama In Natural Color as all previous color features in sound had featured musical numbers.

Madam Satan or Madame Satan is a 1930 American Pre-Code musical comedy film produced and directed by Cecil B. DeMille, starring Kay Johnson, Reginald Denny and Lillian Roth.

The Lottery Bride (1930) is a movie musical starring Jeanette MacDonald, John Garrick, ZaSu Pitts, and Joe E. Brown. The film was produced by Joseph M. Schenck and Arthur Hammerstein, based on the musical by Rudolf Friml, and released by United Artists. William Cameron Menzies is credited with the production design and special effects.

Lord Byron of Broadway (1930), also known as What Price Melody?, is an American Pre-Code musical drama film, directed by Harry Beaumont and William Nigh. It was based on a best selling book by Nell Martin, which "was widely praised by critics as an extremely true and amusing romance of stage life." It was filmed in black and white with two-color Technicolor sequences.

Loose Ankles (1930) is an all-talking pre-code romantic comedy with songs, produced and released by First National Pictures. The film was directed by Ted Wilde and stars Loretta Young, Douglas Fairbanks, Jr., Louise Fazenda and Edward Nugent. It was a remake of the 1926 silent film entitled Ladies At Play which had also been produced by First National Pictures. Both versions were adapted by Gene Towne from the 1926 play Loose Ankles by Sam Janney.

The Life of the Party is a 1930 American Pre-Code musical comedy filmed entirely in Technicolor. The musical numbers of this film were cut out before general release in the United States because the public had grown tired of musicals by late 1930. Only one song was left in the picture. The complete film was released intact in countries outside the United States where a backlash against musicals never occurred.

Let's Go Native, is a 1930 American black-and-white musical comedy film, directed by Leo McCarey and released by Paramount Pictures.

Leathernecking (1930) is an American Pre-Code musical comedy film directed by Edward F. Cline, from a screenplay by Alfred Jackson and Jane Murfin, adapted from the Broadway musical comedy Present Arms, by Richard Rodgers, Lorenz Hart and Herbert Fields.

Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The film is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, and has a screenplay by Jo Swerling.

Ladies Love Brutes is a 1930 American Pre-Code comedy film starring George Bancroft, Mary Astor, and Fredric March. The film was directed by Rowland V. Lee and based on the play Pardon My Glove by Zoë Akins.

King of Jazz is a 1930 American color film starring Paul Whiteman and His Orchestra. The film's title was taken from Whiteman's controversial, self-conferred appellation. Although using the word to describe Whiteman's music may seem absurd today, at the time the film was made, "jazz", to the general public, meant the jazz-influenced syncopated dance music which was being heard everywhere on phonograph records and through radio broadcasts. Lending his title a measure of legitimacy is the fact that in the 1920s Whiteman signed and featured great white jazz musicians including Joe Venuti and Eddie Lang (both are seen and heard in the film), Bix Beiderbecke (who had left before filming began), Frank Trumbauer and others still held in high regard.

Journey's End is a 1930 British-American war film directed by James Whale. Based on the play of the same name by R. C. Sherriff, the film tells the story of several British army officers involved in trench warfare during the First World War. The film, like the play before it, was an enormous critical and commercial success and launched the film careers of Whale and several of its stars.

Ingagi is a 1930 Pre-Code exploitation film. It purports to be a documentary about "Sir Hubert Winstead" of London on an expedition to Africa, and depicts a tribe of gorilla-worshiping women encountered by the explorer. The film claims to show a ritual in which African women are given over to gorillas as sex slaves, but in actuality was mostly filmed in Los Angeles, using white actresses in blackface in place of natives. It was produced and distributed by Nat Spitzer's Congo Pictures, which had been formed expressly to make the film. Although marketed under the pretense of being an ethnographic film, the premise was a fabrication, leading the Motion Picture Producers and Distributors Association to retract any involvement with the film.

Imperial and Royal Field Marshal (Czech: C. a k. polní maršálek) is a 1930 Czechoslovak comedy film directed by Karel Lamač. It is considered to be the first ever Czech language sound film.

Holiday is a 1930 American Pre-Code romantic comedy film which tells the story of a young man who is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family. It stars Ann Harding, Mary Astor, Edward Everett Horton, Robert Ames and Hedda Hopper. It was produced and released by Pathé Exchange.

Hold Everything is a 1930 American Pre-Code film. It was the first musical comedy film to be released that was photographed entirely in early two-color Technicolor. It was adapted from the DeSylva-Brown-Henderson Broadway musical of the same name that had served as a vehicle for Bert Lahr and starred Winnie Lightner and Joe E. Brown as the comedy duo. The romantic subplot was played by Georges Carpentier and Sally O'Neil. Only three songs from the stage show remained: "You're the Cream in My Coffee", "To Know You Is To Love You", and "Don't Hold Everything". New songs were written for the film by Al Dubin and Joe Burke, including one that became a hit in 1930: "When The Little Red Roses Get The Blues For You". The songs in the film were played by Abe Lyman and his orchestra.

High Society Blues (1930) is a film starring Janet Gaynor and Charles Farrell. The movie was written by Howard J. Green from the story by Dana Burnett and directed by David Butler.

Hell's Heroes (1930) is a western film, one of many adaptations of Peter B. Kyne's novel The Three Godfathers. Three outlaws, played by Charles Bickford, Raymond Hatton, and Fred Kohler, promise a dying woman they will save her newborn child.

Hell's Angels is a 1930 American war film, directed and produced by Howard Hughes and starring Ben Lyon, James Hall and Jean Harlow. The film, which was written by Harry Behn and Howard Estabrook, centers on the combat pilots of World War I. The picture was released by United Artists and, despite its initial poor performance at the box office, eventually earned its production costs twice over. Controversy during the Hell's Angels production contributed to the film's notoriety, including the accidental deaths of several pilots, an inflated budget, a lawsuit against a competitor (The Dawn Patrol), and repeated postponements of the release date.

Good News is a 1930 American musical film based on the 1927 stage production of the same name. It was directed by Nick Grinde. The cast included Bessie Love, Cliff Edwards and Penny Singleton. The film was shot in black-and-white, although the finale was in Multicolor. The surviving print lacks the finale; no footage is known to survive.

The Girl Said No is a 1930 romantic comedy film starring William Haines and Leila Hyams. In the film, a young college graduate goes to extreme lengths to win the girl he loves.

General Crack (1930) is a part-talkie historical costume drama film with Technicolor sequences which was produced by Warner Bros., filmed in 1929 and released early in 1930. The film was directed by Alan Crosland and stars John Barrymore in his first full-length all-talking feature. This would prove to be Crosland and Barrymore's last historical epic together.

Follow Thru is a 1930 American Pre-Code musical comedy film photographed entirely in Technicolor. It was the second all-color all-talking feature to be produced by Paramount Pictures. The film was based on the popular 1929 Broadway play of the same name by Frank Mandel and Laurence Schwab. The play ran from January 9, 1929 to December 21, 1929; running for 401 performances. Jack Haley and Zelma O'Neal, who starred in the original musical play, reprised their roles for the film version.

The Flute Concert of Sans-Souci (German: Das Flötenkonzert von Sans-souci) is a 1930 German drama film directed by Gustav Ucicky and starring Otto Gebühr. It was part of the popular cycle of Prussian films.

Feet First is a 1930 American Pre-Code comedy film starring Harold Lloyd, a very popular daredevil comedian during the 1920s and early 1930s. It was Lloyd's second and most popular sound ('talkie') feature. It is also one of his 'thrill' comedies, involving him climbing up a tall building. Harold Lloyd was one of very few silent film actors who successfully adapted to sound.

Fast and Loose is a 1930 romantic comedy film directed by Fred C. Newmeyer and starring Miriam Hopkins, Carole Lombard and Frank Morgan. The film was written by Doris Anderson, Jack Kirkland and Preston Sturges, based on the 1924 play The Best People by David Gray and Avery Hopwood. Fast and Loose was released by Paramount Pictures.

Escape is a 1930 British crime film directed by Basil Dean and starring Gerald du Maurier, Edna Best and Gordon Harker. It was based on a 1926 play of the same title by John Galsworthy, which was adapted again as a film in 1948.

Elstree Calling (1930) is a film directed by Andre Charlot, Jack Hulbert, Paul Murray, and Alfred Hitchcock at Elstree Studios.

Earth (Ukrainian: Земля, translit. Zemlya) is a 1930 Soviet silent film by Ukrainian director Alexander Dovzhenko, concerning the process of collectivization and the hostility of Kulak landowners. It is Part 3 of Dovzhenko's "Ukraine Trilogy" (along with Zvenigora and Arsenal).

Doughboys is a 1930 American Pre-Code comedy film starring Buster Keaton. It was Keaton's second starring talkie vehicle.

Dixiana (1930) is a lavish American musical film directed by Luther Reed and produced and distributed by RKO Radio Pictures. The final third of the picture was photographed in Technicolor. The film stars Bebe Daniels, Everett Marshall, Bert Wheeler, Robert Woolsey, Joseph Cawthorn, Jobyna Howland, Ralf Harolde, Bill "Bojangles" Robinson (in his film debut) and Dorothy Lee. The script was adapted by Luther Reed from a story by Anne Caldwell. The Technicolor sequences were considered lost for years but were re-discovered in 1988 and subsequently included in the restored DVD. At the end of 1958, the film entered the public domain (in the USA) due to RKO's failure to renew their copyright registration in the 28th year after publication.

The Divorcee is a 1930 American Pre-Code drama film written by Nick Grindé, John Meehan and Zelda Sears, based on the novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture and won Best Actress for its star Norma Shearer.

The Devil to Pay! is a 1930 American Pre-Code romantic drama film directed by George Fitzmaurice and starring Ronald Colman, Frederick Kerr, Myrna Loy, and Loretta Young. It was written by Frederick Lonsdale and Benjamin Glazer.

The Dawn Patrol, also known as Flight Commander, is a 1930 American Pre-Code World War I film starring Richard Barthelmess and Douglas Fairbanks, Jr. It was directed by Howard Hawks, a former World War I flight instructor, who even flew in the film as a German pilot in an uncredited role. The Dawn Patrol won the Academy Award for Best Story for John Monk Saunders. It was subsequently remade in 1938, with the same title, while the original was then renamed Flight Commander and released later as part of the Warner Bros. film catalog.

Danger Lights is a 1930 American Pre-Code drama film, directed by George B. Seitz, from a screenplay by James Ashmore Creelman. It stars Louis Wolheim, Robert Armstrong, and Jean Arthur.

The Cuckoos (1930) is a musical comedy film, released by RKO Radio Pictures and partially filmed in two-strip Technicolor. Directed by Paul Sloane, the screenplay was adapted by Cyrus Wood, from the Broadway musical, The Ramblers, by Guy Bolton, Bert Kalmar, and Harry Ruby. It starred Bert Wheeler and Robert Woolsey, and although they had appeared on Broadway and in other films together (most notably RKO's Rio Rita the year before), this was their first time starring as a team. The success of this picture, combined with Rio Rita being their most successful film of 1929, convinced the studio to headline them as the comedy team Wheeler & Woolsey, through 1937.

Common Clay is a 1930 film directed by Victor Fleming and starring Constance Bennett and Lew Ayres, based on the play of the same name by Cleves Kinkead which starred Jane Cowl. The film was about a young servant who is seduced by the master of the house but he won't have anything to do with her other than sex because of her low status. She ultimately falls pregnant with his child which he doesn't want and when she tries to gain recognition for the baby, his family treats her as if she was a common blackmailer.

City Girl is an American 1930 silent film directed by F.W. Murnau. The director wanted the film to be called Our Daily Bread.

Children of Pleasure is a 1930 American MGM musical comedy film directed by Harry Beaumont originally released with Technicolor sequences. It was adapted from Crane Wilbur's stage success of 1929 The Song Writer.

Check and Double Check is a 1930 comedy film made and released by RKO Radio Pictures based on the top-rated Amos 'n' Andy radio show. The title was derived from a catchphrase associated with the show. Directed by Melville W. Brown, from a screenplay by Bert Kalmar, J. Walter Ruben, and Harry Ruby, it starred Charles Correll and Freeman Gosden in the roles of Andy and Amos, respectively, which they had created for the radio show. The film also featured Duke Ellington and his "Cotton Club Band".

Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, starring Bessie Love and Charles King, and released by Metro-Goldwyn-Mayer. The supporting cast features Jack Benny, Marie Dressler, and Polly Moran. This was Jack Benny's first film role.

The Cat Creeps (1930) is a crime/mystery film, and a sound remake of The Cat and the Canary (1927). Starring Helen Twelvetrees, Raymond Hackett, Neil Hamilton, Lilyan Tashman, Jean Hersholt, and Montagu Love, it is considered to be a lost film.

Call of the Flesh is a 1930 American Pre-Code musical film directed by Charles Brabin. The film stars Ramon Novarro, Dorothy Jordan, and Renée Adorée. It featured several songs performed by Novarro and originally included a sequence photographed in Technicolor.

Bright Lights is a 1930 American Pre-Code musical comedy film photographed entirely in Technicolor and produced and released by First National Pictures, a subsidiary of Warner Brothers. Although filmed in December 1929, the film sat on the shelf until the autumn of 1930 when it was given a limited release. However, Warners quickly withdrew the film when the studio realized that the public had grown weary of musicals. Warners believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to it. The film stars Dorothy Mackaill, Frank Fay, Noah Beery and Frank McHugh. It also features the screen debut of John Carradine, who appears in a small uncredited role.

Bride of the Regiment is a 1930 American Pre-Code musical film directed by John Francis Dillon and filmed entirely in Technicolor. The screenplay by Ray Harris and Humphrey Pearson is based on the book of the 1922 stage musical The Lady in Ermine by Frederick Lonsdale and Cyrus Wood, which had been adapted from the operetta Die Frau im Hermelin by Rudolph Schanzer and Ernst Welisch. The story is a remake of a 1927 First National silent film, The Lady in Ermine, that starred Corinne Griffith. It was later remade by 20th Century-Fox as That Lady in Ermine (1948) starring Betty Grable and Douglas Fairbanks, Jr.

Borderline is a 1930 film, written and directed by Kenneth Macpherson and produced by the Pool Group in Territet, Switzerland. The silent film, with English inter-titles, is primarily noted for its handling of the contentious issue of inter-racial relationships, using avant-garde experimental film-making techniques, and is today very much part of the curriculum of the study of modern cinematography.

The Blood of a Poet (French: Le Sang d'un Poète) (1930) is an avant-garde film directed by Jean Cocteau and financed by Charles de Noailles. Photographer Lee Miller made her only film appearance in this movie, which features an appearance by the famed aerialist Barbette. It is the first part of the Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).

The Blue Angel (German: Der blaue Engel) is a 1930 German tragicomedic film directed by Josef von Sternberg and starring Emil Jannings, Marlene Dietrich and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann – with uncredited contributions by Sternberg. It is based on Heinrich Mann's 1905 novel Professor Unrat (Professor Garbage), and set in Weimar Germany. The Blue Angel presents the tragic transformation of a man from a respectable professor to a cabaret clown, and his descent into madness. The film is considered to be the first major German sound film, and brought Dietrich international fame. In addition, it introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again (Can't Help It)".

The Big Trail is a 1930 American Pre-Code early widescreen movie shot on location across the American West starring John Wayne in his first leading role and directed by Raoul Walsh.

The Big Pond is a 1930 American romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas. The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley. The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.

The Big House is a 1930 American Pre-Code crime drama film directed by George Hill and released by Metro-Goldwyn-Mayer. The stars are Chester Morris, Wallace Beery, Lewis Stone, Robert Montgomery, Leila Hyams, George F. Marion and J. C. Nugent. The story and dialogue were written by Frances Marion, with additional dialogue by Joe Farnham and Martin Flavin. Although the primary source is not mentioned in the film's credits, the screenplay was based on the 1926 original story, "The Big House" by Lennox Robinson.

Big Boy is a 1930 American Pre-Code musical comedy film produced by Warner Bros.. The film was directed by Alan Crosland and stars Al Jolson, Claudia Dell, Louise Closser Hale, and Noah Beery. The film is based on the 1924 Broadway hit show of the same name in which Jolson also starred.

The Bat Whispers is a 1930 American Pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists. The film is based on the 1920 mystery play The Bat, written by Avery Hopwood and Mary Roberts Rinehart and previously adapted to film in 1926.

The Bad Man is a 1930 American Pre-Code Western film starring Walter Huston which was produced and released by First National Pictures, a subsidiary of Warner Bros. The movie is based on Porter Emerson Browne's 1920 play of the same name and is a sound remake of the 1923 silent version of the same name. The film stars Walter Huston, Dorothy Revier, Sidney Blackmer and James Rennie.

Anna Christie is a 1930 MGM Pre-Code drama film adaptation of the 1922 play of the same name by Eugene O'Neill. It was adapted by Frances Marion, produced and directed by Clarence Brown with Paul Bern and Irving Thalberg as co-producers. The cinematography was by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.

Animal Crackers is a 1930 Pre-Code Marx Brothers comedy film, in which mayhem and zaniness ensue when a valuable painting goes missing during a party in honor of famed African explorer Captain Spaulding. A critical and commercial success on its initial release, filming took place at Astoria Studios in Astoria, Queens; it was the second of two films the Brothers would make in New York.

All Quiet on the Western Front is a 1930 American epic Pre-Code war film based on the Erich Maria Remarque novel of the same name. It was directed by Lewis Milestone, and stars Louis Wolheim, Lew Ayres, John Wray, Arnold Lucy and Ben Alexander.

Alraune (1930) is a German science fiction horror film directed by Richard Oswald. Like the 1928 version this movie again features Brigitte Helm in the role of Alraune. This version aimed for greater realism but is still based upon the original German myth.

L'Age d'Or (French: L'Âge d'Or, pronounced: ), commonly translated as The Golden Age or Age of Gold, is a 1930 French surrealist comedy directed by Luis Buñuel about the insanities of modern life, the hypocrisy of the sexual mores of bourgeois society and the value system of the Roman Catholic Church. The screenplay is by Salvador Dalí and Buñuel. L'Age d'Or was one of the first sound films made in France, along with Prix de Beauté and Under the Roofs of Paris.

Abraham Lincoln, also released under the title D. W. Griffith's "Abraham Lincoln", is a 1930 Pre-Code biographical film about American president Abraham Lincoln directed by D. W. Griffith. It stars Walter Huston as Lincoln and Una Merkel, in her second speaking role, as Ann Rutledge. Her first speaking role was in a short film, Love's Old Sweet Song (1923) filmed in the Phonofilm sound-on-film process. The script was co-written by Stephen Vincent Benét, author of the Civil War prose poem John Brown's Body. This was the first of only two sound films made by Griffith.

Abi and Rabi (Persian title: Abi-o-Rabi; Persian: آبی و رابی‎‎) is a 1930 Iranian silent comedy film directed by Ovanes Ohanian and starring Ovanes Ohanian, Mohammad Khan Zarrabi, Gholamali Khan Sohrabi Fard, Mohammd Ali Ghotbi and Amir Arjmand.