1935

The Youth of Maxim (Russian: Юность Максима) is a 1935 Soviet film directed by Grigori Kozintsev and Leonid Trauberg, the first part of trilogy about the life of a young factory worker named Maxim.

The Whole Town's Talking (released in the UK as Passport to Fame) is a 1935 American comedy film starring Edward G. Robinson as a law-abiding man who bears a striking resemblance to a killer, with Jean Arthur as his love interest. It was directed by John Ford from a screenplay by Jo Swerling and Robert Riskin based on a story by W.R. Burnett originally published in Collier's in August 1932. Burnett was also the author of the source material for Robinson's screen break-through, Little Caesar. The film The Whole Town's Talking (1926) has no story connection to this film. The story was remade in 1998 as the Bollywood film Duplicate.

Westward Ho is a 1935 American Western film released by Republic Pictures, directed by Robert N. Bradbury and starring John Wayne.

Werewolf of London is a 1935 Horror film starring Henry Hull and produced by Universal Pictures. Jack Pierce's eerie werewolf make-up was simpler than his version six years later for Lon Chaney, Jr. in The Wolf Man.

The Wedding Night is a 1935 American romantic drama film directed by King Vidor and starring Gary Cooper and Anna Sten. Written by Edith Fitzgerald and based on a story by Edwin H. Knopf, the film is about a financially strapped novelist who returns to his country home in Connecticut looking for inspiration for his next novel and becomes involved with a beautiful young Polish woman and her family. The film was produced by Samuel Goldwyn and filmed at Samuel Goldwyn Studios from early November to early December 1934. It was released in the United States on March 8, 1925.

Waterfront Lady is a 1935 American film directed by Joseph Santley.

The Village Squire is a 1935 British comedy film directed by Reginald Denham and starring David Horne, Leslie Perrins, Moira Lynd and Vivien Leigh. It was based on a play by Arthur Jarvis Black. A village's amateur production of MacBeth is aided by the arrival of a Hollywood star. This provokes the fierce resistance of the village squire who hates films.

This is a list collecting the most notable films produced in Hungary and in the Hungarian language during 1901–1948.

Villa for Sale (Hungarian: Ez a villa eladó) is a 1935 Hungarian comedy film directed by Géza von Cziffra and starring Ernő Verebes, Ida Turay and Gyula Kabos. After he goes away on holiday, a wealthy man's servant accidentally puts his villa up for sale.

Turn of the Tide (1935) is a British drama film directed by Norman Walker and starring John Garrick, Geraldine Fitzgerald, and Wilfrid Lawson, and was the first feature film made by J. Arthur Rank. Lacking a distributor for his film, Rank set up his own distribution and production company which subsequently grew into his later empire.

The Tunnel, also known as Transatlantic Tunnel in the United States, is a 1935 British science fiction film based on the 1913 novel Der Tunnel by Bernhard Kellermann, about the building of a transatlantic tunnel between New York and London. It was directed by Maurice Elvey and stars Richard Dix, Leslie Banks, Madge Evans, Helen Vinson, C. Aubrey Smith and Basil Sydney. The script was written by Curt Siodmak, L. du Garde Peach and Clemence Dane. The film, produced at a time when the threat of war loomed in Europe, emphasized international cooperation between the United States and the United Kingdom.

Tumbling Tumbleweeds is a 1935 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Lucile Browne. Written by Ford Beebe, the film is about a cowboy who returns home after a five-year absence to find his father murdered and his boyhood pal accused of the dastardly deed. Tumbling Tumbleweeds features the songs "Riding Down the Canyon", "That Silver-Haired Daddy of Mine", and the Bob Nolan classic "Tumbling Tumbleweeds".

Triumph of the Will (German: Triumph des Willens) is a 1935 German propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess, and Julius Streicher, interspersed with footage of massed Sturmabteilung and Schutzstaffel troops and public reaction. Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation. Because the film was made after the 1934 Night of the Long Knives (on June 30) many prominent Sturmabteilung (SA) members are absent—they were murdered in that Party purge, organized and orchestrated by Hitler to replace the SA with the Schutzstaffeln (SS) as his main paramilitary force.

Top Hat is a 1935 American screwball musical comedy film in which Fred Astaire plays an American dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick (Edward Everett Horton). He meets and attempts to impress Dale Tremont (Ginger Rogers) to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini, a fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge.

Toni is a 1935 French drama film directed by Jean Renoir and starring Charles Blavette, Celia Montalván and Édouard Delmont. It is an early example of the casting of non-professional actors and on-location shooting - both of which would influence the Left Bank of the French New Wave movement. Examining the romantic interactions between a group of immigrants (both from abroad and other parts of France) working around a quarry and a farm in Provence, it is also generally considered a major precursor to the Italian neorealist movement. Luchino Visconti, one of the founding members of the later film movement, was assistant director on the film. It was based out of Marcel Pagnol's studios in Marseille and shot entirely on location in the South of France.

Thanks a Million is a 1935 musical film produced and released by 20th Century Fox and directed by Roy Del Ruth. It stars Dick Powell, Ann Dvorak and Fred Allen, and features Patsy Kelly, David Rubinoff and Paul Whiteman and his band with singer/pianist Ramona. The script by Nunnally Johnson was based on a story by producer Darryl F. Zanuck (writing as Melville Crossman) and contained uncredited additional dialogue by Fred Allen, James Gow, Edmund Gross and Harry Tugend.

A Tale of Two Cities is a 1935 film based upon Charles Dickens' 1859 historical novel, A Tale of Two Cities. The film stars Ronald Colman as Sydney Carton, Donald Woods and Elizabeth Allan. The supporting players include Basil Rathbone, Blanche Yurka, and Edna May Oliver. It was directed by Jack Conway from a screenplay by W. P. Lipscomb and S. N. Behrman. The film was nominated for the Academy Award for Best Picture and Best Film Editing. The story is set in the French Revolution and deals with two men who are alike, not only in appearance, but in their love for the same woman.

Steamboat Round the Bend is a 1935 American comedy film directed by John Ford, based on the 1933 novel of the same name by author Ben Lucien Burman. The film stars Will Rogers and was released a few weeks after his death in an airplane crash.

Star of Midnight is an American mystery-comedy film released by RKO Pictures in 1935. William Powell was loaned out in this movie from MGM to star with Ginger Rogers.

Squibs is a 1935 British black-and-white musical romantic comedy film directed by Henry Edwards and starring Betty Balfour, Gordon Harker and Stanley Holloway as PC Charley Lee. It was produced by Twickenham Film Studios. It was a remake of the 1921 film Squibs which also starred Balfour.

Splendor (1935) is a drama film starring Miriam Hopkins and Joel McCrea, produced by Samuel Goldwyn, and distributed by United Artists.

Special Agent is a 1935 American drama film directed by William Keighley and starring Bette Davis. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney.

The Soul of the Accordion (Spanish: El alma de bandoneón) is a 1935 Argentine tango musical film directed by Mario Soffici and written by José A. Bugliot. It is considered one of the earliest classics of Argentine cinema.

Children of Troubled Times, also known as Fēngyǔn Érnǚ, Children of the Storm, and several other translations, is a patriotic 1935 Chinese film most famous as the origin of "The March of the Volunteers", the national anthem of the People's Republic of China. The movie was directed by Xu Xingzhi and written by Tian Han and Xia Yan. Yuan Muzhi plays an intellectual who flees the trouble in Shanghai to pursue the glamorous Wang Renmei only to join the Chinese resistance after the death of his friend.

So Red the Rose is a 1935 motion picture drama directed by King Vidor. The Civil War-era romance is based on the 1934 novel of the same name by Stark Young.

Sheela (Punjabi: ਸ਼ੀਲਾ), also known as Pind Di Kurhi (Punjabi: ਪਿੰਡ ਦੀ ਕੁੜੀ), sometimes spelled as Pind Di Kuri or Sheila, is a 1935 Punjabi film directed by K.D. Mehra. It is the first Punjabi sound film and was made in Calcutta and released in Lahore. Mubarak Ali Khan and K.D. Mehra composed the music. Baby Noor Jehan was first time introduced as an actress and singer.

She Married Her Boss is a 1935 film directed by Gregory La Cava, and starring Claudette Colbert and Melvyn Douglas.

She Couldn't Take It is a 1935 comedy film made at Columbia Pictures, directed by Tay Garnett, written by C. Graham Baker, Gene Towne and Oliver H.P. Garrett, and starring George Raft and Joan Bennett. It was one of the few comedies Raft made in his career.

She is a 1935 American film produced by Merian C. Cooper. Based on H. Rider Haggard's novel of the same name, the screenplay combines elements from all the books in the series: She, She and Allan, Ayesha: The Return of She and Wisdom's Daughter. The film reached a new generation of moviegoers with a 1949 re-release.

Twickenham Film Studios(United Kingdom)

The Scoundrel is a 1935 drama film directed by Ben Hecht and Charles MacArthur, and starring Noël Coward, Julie Haydon, Stanley Ridges, Rosita Moreno, and Lionel Stander. It was Coward's film debut, aside from a bit role in a silent film. It deals with supernatural redemption in a way rather similar to Ferenc Molnár's Liliom, and drew inspiration from the life of publisher Horace Liveright, who had died in September 1933.

Ruggles of Red Gap is a 1935 comedy film directed by Leo McCarey and starring Charles Laughton, Mary Boland, Charlie Ruggles and ZaSu Pitts, and featuring Roland Young and Leila Hyams. It was based on the best-selling 1915 novel by Harry Leon Wilson, adapted by Humphrey Pearson and with a screenplay by Walter DeLeon and Harlan Thompson. It is the story of a newly rich American couple from the West who win a British gentleman's gentleman in a poker game.

Royal Cavalcade is a 1935 British, black-and-white, drama film directed by six separate directors: Thomas Bentley (Supervising Director), Herbert Brenon, Norman Lee, Walter Summers, W.P. Kellino and Marcel Varnel. The film features Marie Lohr, Hermione Baddeley, Owen Nares, Robert Hale, Austin Trevor, James Carew, Edward Chapman and Ronald Shiner as the Soldier in Trenches. The film was presented by Associated British Pictures Corporation. Allmovie has the alternative title, Regal Cavalcade.

Roberta is a 1935 musical film by RKO starring Irene Dunne, Fred Astaire, Ginger Rogers, and Randolph Scott. It was an adaptation of a 1933 Broadway musical of the same name, which in turn was based on the novel Gowns by Roberta by Alice Duer Miller. It was a solid hit, showing a net profit of more than three-quarters of a million dollars.

Remember Last Night? is a 1935 American mystery comedy film directed by James Whale. The film, based on the novel The Hangover Murders, is about the investigation of the murder of one of a group of friends. The survivors are unable to recall the events of the night of the murder because they were all too drunk. Remember Last Night? features an ensemble cast headed by Edward Arnold, Constance Cummings, and Robert Young.

Reckless is a 1935 American musical film directed by Victor Fleming and starring Jean Harlow, William Powell and Franchot Tone. David O. Selznick wrote the story, using the pseudonym Oliver Jeffries, basing it loosely based on the scandal of the 1931 marriage between torch singer Libby Holman and tobacco heir Zachary Smith Reynolds and his death by a gunshot wound to the head.

The Raven is a 1935 American horror film directed by Lew Landers (billed under his real name, Louis Friedlander) and starring Boris Karloff and Béla Lugosi. The picture revolves around Edgar Allan Poe's famous homonymous poem, featuring Lugosi as a Poe-obsessed mad surgeon with a torture chamber in his basement and Karloff as a fugitive murderer desperately on the run from the police. Lugosi had the lead role, but Karloff received top billing, using only his last name.

Public Hero No. 1 is a black-and-white crime film released in 1935 by MGM. It stars Lionel Barrymore, Jean Arthur, Chester Morris and Joseph Calleia. It was directed by J. Walter Ruben.

Professional Soldier is a 1935 adventure film based on a 1931 story by Damon Runyon, "Gentlemen, the King!" It stars Victor McLaglen and Freddie Bartholomew. The film was directed by Tay Garnett, and produced by Twentieth Century Fox.

Private Worlds (1935) is a drama film which tells the story of the staff and patients at a mental hospital, and the chief of the hospital who has problems dealing with a female psychiatrist. The film stars Claudette Colbert, Charles Boyer, Joel McCrea, Joan Bennett, and Helen Vinson.

Princesse Tam-Tam is a 1935 French black-and-white film which stars Josephine Baker as a local Tunisian girl who is educated and then introduced to Parisian high society. Baker sings two songs, "Dream Ship" and "Neath the Tropical Blue Skies", in the film, and dances a number of times.

Police Chief Antek (Antek policmajster) is a 1935 Polish comedy film directed by Michał Waszyński.

Peter Ibbetson is an American black-and-white drama film released in 1935 and directed by Henry Hathaway.

The Passing of the Third Floor Back is a 1935 British drama film directed by Berthold Viertel and starring Conrad Veidt, Anna Lee, Rene Ray and Frank Cellier. The film is based on a 1908 play and short story by Jerome K. Jerome and depicts the various small-minded inhabitants of a building and the arrival of a stranger who works to redeem them. The work had previously been adapted into a 1918 film version by Herbert Brenon.

Party Wire is a 1935 drama film starring Jean Arthur and Victor Jory. It was based on the novel of the same name by Bruce Manning. In a small town, an overhead conversation on a telephone party line results in gossip that causes a great deal of trouble for a young woman and a wealthy man.

Page Miss Glory is a 1935 romantic comedy film starring Marion Davies, Pat O'Brien, and Dick Powell. It was based on the play of the same name by Joseph Schrank and Philip Dunning.

Our Little Girl is a 1935 drama, in which Shirley Temple and Joel McCrea play the leading roles. The film was the final work of the veteran director, John S. Robertson.

No More Ladies is a 1935 film directed by Edward H. Griffith. The film stars Joan Crawford and Robert Montgomery, and co-stars Charlie Ruggles, Franchot Tone, and Edna May Oliver. The screenplay credited to Donald Ogden Stewart and Horace Jackson is based on a stage comedy of the same name by Augustus Thomas.

No Limit is a 1935 British musical comedy starring George Formby and Florence Desmond. The film, which was directed by Monty Banks, was made on location at the Isle of Man's famous TT motorcycle race. It was the first of eleven films that Formby made with Associated Talking Pictures.

A Night at the Opera is a 1935 American comedy film starring the Marx Brothers, and featuring Kitty Carlisle, Allan Jones, Margaret Dumont, Sig Ruman, and Walter Woolf King. It was the first film the Marx Brothers made for Metro-Goldwyn-Mayer after their departure from Paramount Pictures, and the first after Zeppo left the act. The film was adapted by George S. Kaufman, Morrie Ryskind, and Al Boasberg (uncredited) from a story by James Kevin McGuinness. It was directed by Sam Wood.

New Women (Chinese: 新女性; pinyin: Xīn nǚxìng) was a silent Chinese film released in early 1935 in Shanghai by the Lianhua Film Company. It is sometimes translated as New Woman. The film starred Ruan Lingyu (in her penultimate film) and was directed by Cai Chusheng.

The New Gulliver (Russian: Новый Гулливер, Novyy Gullivyer) is a Soviet stop motion-animated cartoon, and the first to make such extensive use of puppet animation, running almost all the way through the film (it begins and ends with short live-action sequences). The film was released in 1935 to widespread acclaim and earned Ptushko a special prize at the International Cinema Festival in Milan. The part of Gulliver was played by Vladimir Konstantinovich Konstantinov, who was born in 1920 and died in 1944 near Tallinn in the Second World War. This was his first and only film role.

Naughty Marietta is a 1935 film based on the operetta Naughty Marietta by Victor Herbert. Jeanette MacDonald stars as a princess who flees an arranged marriage. She sails for New Orleans and is rescued from pirates by Captain Richard Warrington (Nelson Eddy).

Mystery of Edwin Drood (1935) is the third film adaptation and first sound film version of Charles Dickens's unfinished novel of the same name. It starred Claude Rains in the role of the villainous John Jasper. Filmed by Universal Pictures, it co-starred Douglass Montgomery and Valerie Hobson (the future Estella of David Lean's 1946 Great Expectations), and featured David Manners as Edwin Drood. It was directed by Stuart Walker, who had directed a little-known 1934 film adaptation of Great Expectations. The film's script provides an ending to the original unfinished novel, solving the mystery of the fate of Edwin Drood.

Mutiny on the Bounty is an American 1935 drama starring Charles Laughton and Clark Gable, directed by Frank Lloyd based on the Charles Nordhoff and James Norman Hall novel Mutiny on the Bounty.

Music Hath Charms is a 1935 British musical film directed by Thomas Bentley. Walter Summers, Arthur B. Woods and Alexander Esway, and starring Henry Hall, Carol Goodner and Arthur Margetson.

The Murder Man is a 1935 American crime-drama film starring Spencer Tracy, Virginia Bruce, and Lionel Atwill, and directed by Tim Whelan. The picture was Tracy's first film in what would be a twenty-year career with MGM. Tracy plays an investigative reporter who specializes in murder cases. The film is notable as the feature film debut of James Stewart (who had previously appeared in a Shemp Howard comedy short called Art Trouble). Stewart has sixth billing as a reporter named Shorty.

This film is not to be confused with the very popular Russian Song Moscow Nights

Mississippi is a 1935 musical comedy film directed by A. Edward Sutherland and starring Bing Crosby, W. C. Fields, and Joan Bennett. Written by Francis Martin and Jack Cunningham based on the novel Magnolia by Booth Tarkington, the film is about a young pacifist who, after refusing on principle to defend his sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer and acquires a reputation as a crackshot after a saloon brawl in which a villain accidentally kills himself with his own gun. The film was produced and distributed by Paramount Pictures. Mississippi has the distinction of being the only W. C. Fields film with a score by Richard Rodgers and Lorenz Hart. It is also the only film in which he co-starred with Bing Crosby. Photographed by Charles Lang, the film featured art direction by Hans Dreier and Bernard Herzburn and was edited by Chandler House. The sound man was Eugene Merritt. The original running time of this black-and-white film was 80 minutes. The film has been released on VHS and DVD as part of the W.C. Fields Collection in the United Kingdom.

Les Misérables is a 1935 American drama film starring Fredric March and Charles Laughton based upon the famous Victor Hugo novel of the same name. The movie was adapted by W. P. Lipscomb and directed by Richard Boleslawski. This was the last film for Twentieth Century Pictures before it merged with Fox Film Corporation to form 20th Century Fox. The plot of the film basically follows Hugo's novel Les Misérables, but there are a large number of differences.

The Million Ryo Pot (丹下左膳余話 百萬両の壺, Tange Sazen Yowa: Hyakuman Ryō no Tsubo?) is a 1935 black and white Japanese film comedy directed by Sadao Yamanaka and starring Denjirō Ōkōchi.

A Midsummer Night's Dream is a 1935 American romance fantasy film of William Shakespeare's play, directed by Max Reinhardt and William Dieterle, and starring Ian Hunter, James Cagney, Mickey Rooney, Olivia de Havilland, Joe E. Brown, Dick Powell, and Victor Jory. Produced by Henry Blanke and Hal Wallis for Warner Brothers, and adapted by Charles Kenyon and Mary C. McCall Jr. from Reinhardt's Hollywood Bowl production of the previous year, the film is about the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors, who are controlled and manipulated by the fairies who inhabit the forest in which most of the story is set. The play, which is categorized as a comedy, is one of Shakespeare's most popular works for the stage and is widely performed across the world. Felix Mendelssohn's music was extensively used, as re-orchestrated by Erich Wolfgang Korngold. The ballet sequences featuring the fairies were choreographed by Bronislava Nijinska.

Midshipman Easy is a 1935 British adventure film directed by Carol Reed and starring Hughie Green, Margaret Lockwood and Harry Tate. The screenplay concerns a young man who runs away from home, joins the navy and goes to sea in the 1790s. He rescues a captive woman from a Spanish ship and battles pirates and smugglers. The film was based on the novel Mr Midshipman Easy (1836) by Frederick Marryat.

The Man Who Broke the Bank at Monte Carlo is a 1935 American romantic comedy film made by 20th Century Fox. It was directed by Stephen Roberts, and starred Ronald Colman, Joan Bennett, and Colin Clive. The screenplay was written by Nunnally Johnson and Howard Smith, based on play by Ilya Surguchev and Frederick Albert Swan. The film was inspired by the song of the same name, popularised by Charles Coborn.

Man on the Flying Trapeze (also released as The Memory Expert) is a 1935 comedy film starring W. C. Fields as a henpecked husband. As with his other roles of this nature, Fields is put-upon throughout the film, but triumphs in the end.

Man of the Moment is a 1935 British romantic comedy film directed by Monty Banks and starring Douglas Fairbanks, Jr., Laura La Plante and Margaret Lockwood. It was made at Teddington Studios by the British subsidiary of Warner Brothers. The film's art direction was by Peter Proud.

Der alte und der junge König (The Old and the Young King) is a German historical film by Hans Steinhoff, made under Nazi rule in 1935.

Magnificent Obsession is a 1935 drama film based on the novel of the same name by Lloyd C. Douglas. The film was adapted by Sarah Y. Mason, Victor Heerman, and George O'Neil, directed by John M. Stahl, and stars Irene Dunne, Robert Taylor, Charles Butterworth, and Betty Furness.

John L. Balderston

Lucrezia Borgia (French:Lucrèce Borgia) is a 1935 French historical film directed by Abel Gance and starring Edwige Feuillère, Gabriel Gabrio and Maurice Escande.

Long Live with Dearly Departed (Czech: Ať žije nebožtík) is a 1935 Czech comedy film directed by Martin Frič.

The Lives of a Bengal Lancer is a 1935 American epic-adventure-drama film loosely adapted from the 1930 book of the same name by British author Francis Yeats-Brown. The film is a Paramount picture directed by Henry Hathaway and written by Grover Jones, William Slavens McNutt, Waldemar Young, John L. Balderston and Achmed Abdullah.

The Littlest Rebel is a 1935 American dramatic film directed by David Butler. The screenplay by Edwin J. Burke was adapted from a play of the same name by Edward Peple and focuses on the tribulations of a plantation-owning family during the American Civil War. The film stars John Boles, Karen Morley, and Shirley Temple as the plantation family and Bill Robinson as their slave with Jack Holt as a Union officer.

Little Mother (German: Kleine Mutti) is a 1935 Austrian-Hungarian comedy film directed by Henry Koster and starring Franciska Gaal, Friedrich Benfer and Otto Wallburg. The film was made by a local subsidiary of the American Universal Pictures. The rights were later acquired by RKO who remade it in English as Bachelor Mother starring Ginger Rogers and David Niven.

The Little Colonel is a 1935 American comedy drama film directed by David Butler. The screenplay by William M. Conselman was adapted from the children's novel of the same name by Annie Fellows Johnston, originally published in 1895. It focuses on the reconciliation of an estranged father and daughter in the years following the American Civil War. The film stars Shirley Temple, Lionel Barrymore, Evelyn Venable, John Lodge, Bill Robinson, and Hattie McDaniel.

Little Big Shot is a 1935 American film directed by Michael Curtiz from Warner Brothers Pictures.

Life Begins at Forty is a 1935 black-and-white film starring Will Rogers and Richard Cromwell. It is based on the non-fiction self-help book Life Begins at 40 by Walter B. Pitkin.

Let's Go with Pancho Villa (Spanish: Vámonos con Pancho Villa) is a Mexican motion picture directed by Fernando de Fuentes in 1936, the last of the director's Revolution Trilogy, besides El prisionero trece and El compadre Mendoza.

The Last Days of Pompeii (1935) is an RKO Radio Pictures film starring Preston Foster and directed by Ernest B. Schoedsack and Merian C. Cooper, creators of the original King Kong. Although inspired by the novel of the same name by Edward Bulwer-Lytton, the film has virtually nothing to do with the book.

Jedenácté přikázání, also known as The Eleventh Commandment', is a Czech comedy film directed by Martin Frič. It was released in 1935.

Jánošík is a 1935 Czech drama film directed by Martin Frič.

An Inn in Tokyo (東京の宿, Tōkyō no yado?) is a 1935 silent film directed by Yasujirō Ozu. The film is Ozu's last extant silent film.

The Informer is a 1935 dramatic film, released by RKO. The plot concerns the underside of the Irish War of Independence, set in 1920. It stars Victor McLaglen, Heather Angel, Preston Foster, Margot Grahame, Wallace Ford, Una O'Connor and J. M. Kerrigan. The screenplay was written by Dudley Nichols from the novel The Informer by Liam O'Flaherty. It was directed by John Ford. The novel had previously been adapted for a British film The Informer (1929).

I Live My Life is a 1935 American comedy-drama film, starring Joan Crawford, Brian Aherne, and Frank Morgan, and is based on the story "Claustrophobia" by A. Carter Goodloe.

Hyde Park Corner is a 1935 British comedy crime film directed by Sinclair Hill and starring Gordon Harker, Binnie Hale and Eric Portman. Harker portrays a policeman investigating a crime in 1930s London, which proves to have its origins in the 1780s. The film takes its name from Hyde Park Corner in Central London where the events of the film occur. It was based on a play by Walter C. Hackett. The film was made at Welwyn Studios.

Hop-Along Cassidy is a 1935 American western film, featuring the character Hop-Along Cassidy created by writer Clarence E. Mulford. This is the first of 66 Hopalong Cassidy films produced between 1935 and 1948 and all starring William Boyd in the title role. William Boyd was originally offered the role of Buck Peters, the ranch foreman, but decided to take the role of Hop-Along instead.

Home on the Range is a 1935 American drama film directed by Arthur Jacobson and starring Jackie Coogan. Andre Sennwald of the New York Times described the film "to be a strictly makeshift Western".

Hands Across the Table is a 1935 American romantic screwball comedy film directed by Mitchell Leisen and released by Paramount Pictures. It stars Carole Lombard as a manicurist looking for a rich husband and Fred MacMurray as a poor playboy, with Ralph Bellamy as a wealthy but handicapped ex-pilot. The teaming of Lombard and MacMurray was so well received, they went on to make three more films together, 1936's The Princess Comes Across, 1937's Swing High, Swing Low, and 1937's True Confession.

The Great Impersonation is a 1935 American drama film directed by Alan Crosland and starring Edmund Lowe, Valerie Hobson and Wera Engels. It was adapted from the novel The Great Impersonation by E. Phillips Oppenheim. It was made by Universal Pictures with some aesthetic similarities to the Universal Horror films of the 1930s. Two other film versions of the story were made with the same title in 1921 and 1942 respectively.

The Good Fairy is a 1935 romantic comedy film written by Preston Sturges, based on the 1930 play A jó tündér by Ferenc Molnár as translated and adapted by Jane Hinton, which was produced on Broadway in 1931. The film was directed by William Wyler and stars Margaret Sullavan, Herbert Marshall, Frank Morgan and Reginald Owen.

Gold Diggers of 1935 is a Warner Bros. musical film directed and choreographed by Busby Berkeley and starring Dick Powell, Adolphe Menjou, Gloria Stuart and Alice Brady, and featuring Winifred Shaw, Hugh Herbert and Frank McHugh. The film is best known for the famous "Lullaby of Broadway" production number, which features Shaw singing the song which won Harry Warren (music) and Al Dubin (lyrics) an Academy Award.

Goin' To Town is a 1935 musical comedy film directed by Alexander Hall and written by Mae West. The film stars Mae West, Paul Cavanagh, Gilbert Emery, Marjorie Gateson, Tito Coral and Ivan Lebedeff. The film was released on April 25, 1935, by Paramount Pictures.

Go into Your Dance is a 1935 musical film directed by Archie Mayo and starring Al Jolson, Ruby Keeler, Glenda Farrell, and Helen Morgan.

The Glass Key is the first of two film adaptations of the classic suspense novel The Glass Key by Dashiell Hammett. The film was released in 1935 starring George Raft, featuring Edward Arnold and Claire Dodd, and directed by Frank Tuttle.

The Girl from 10th Avenue is a 1935 American drama film directed by Alfred E. Green. The screenplay by Charles Kenyon is based on the 1914 play Outcast by Hubert Henry Davies. The film was released in the United Kingdom as Men on Her Mind.

The Gilded Lily is a 1935 American romantic comedy film directed by Wesley Ruggles and starring Claudette Colbert, Fred MacMurray, Ray Milland, and C. Aubrey Smith. Written by Claude Binyon, the film is about a stenographer who becomes a famous café entertainer courted by an English aristocrat and an American newspaper reporter. Released on January 25, 1935 by Paramount Pictures in the United States, the film was named one of the top ten English language films of 1935 by the National Board of Review. The Gilded Lily was the first of seven films starring Claudette Colbert and Fred MacMurray.

The Ghost Goes West (1935) is a British romantic comedy/fantasy film starring Robert Donat, Jean Parker, and Eugene Pallette, and directed by René Clair, his first English-language film. The film contrasts an Old World ghost dealing with American vulgarity.

G Men is a 1935 Warner Bros. crime film starring James Cagney, Ann Dvorak, and Margaret Lindsay, and presenting Lloyd Nolan's film debut. According to Variety Magazine, the movie was one of the top-grossing films of 1935. The supporting cast features Robert Armstrong and Barton MacLane.

Front Page Woman is a 1935 American comedy film directed by Michael Curtiz. The screenplay by Laird Doyle, Lillie Hayward and Roy Chansloris based on the novel Women Are Bum Newspapermen by Richard Macauley.

Four Hours to Kill! is a 1935 American drama film directed by Mitchell Leisen and starring Richard Barthelmess.

Foreign Affaires is a 1935 British comedy film directed by and starring Tom Walls. It also features Ralph Lynn, Robertson Hare, Norma Varden and Cecil Parker. The screenplay is by Ben Travers, and the cast included cast members from the Walls and Travers Aldwych Farces. The film is set on the French Riviera where two hard-living British spongers become mixed up in illegal gambling.

The Farmer Takes a Wife is a 1934 play by Frank B. Elser and Marc Connelly based on the novel Rome Haul by Walter D. Edmonds. It was well-received upon its opening night on Broadway on October 30, 1934 at the 46th Street Theatre. The production was directed by Marc Connelly, used set designs by Donald Oenslager, and starred Henry Fonda as Dan Harrow and June Walker as Molly Larkins.

Every Night at Eight is a 1935 American comedy musical film starring George Raft and Alice Faye and made by Walter Wanger Productions Inc. and Paramount Pictures. It was directed by Raoul Walsh and produced by Walter Wanger from a screenplay by C. Graham Baker, Bert Hanlon and Gene Towne based on the story Three On a Mike by Stanley Garvey.

Escape Me Never is a 1935 British drama film directed by Paul Czinner, produced by Herbert Wilcox, and starring Elisabeth Bergner, Hugh Sinclair and Griffith Jones. The film is an adaptation of the play Escape Me Never by Margaret Kennedy; a later adaptation was the 1947 Warner Bros. version. The score is by William Walton. Bergner was nominated for the Academy Award for Best Actress for her performance, but lost out to Bette Davis. British readers of Film Weekly magazine voted the 1935 Best Performance category in a British movie to her.

Escapade is a 1935 romantic comedy film starring William Powell and Luise Rainer. It is a remake of Maskerade (1934).

Drake of England is a 1935 British drama film directed by Arthur B. Woods and starring Matheson Lang, Athene Seyler and Jane Baxter. It depicts the life of Francis Drake and the events leading up to the defeat of the Armada in 1588.

Dinky is a 1935 American drama film directed by D. Ross Lederman.

The Devil Is a Woman is a 1935 romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel La Femme et le pantin by Pierre Louÿs. The film was based on a screenplay by John Dos Passos, and stars Marlene Dietrich, with Lionel Atwill, Cesar Romero, Edward Everett Horton and Luisa Espinel. The original male lead was Joel McCrea who quit after von Sternberg insisted on 35 takes of McCrea asking a waiter for a cup of coffee.

Devdas is a 1935 Bengali film directed by Pramathesh Barua and based on the Sharat Chandra Chattopadhyay novella, Devdas. It stars Barua himself as Devdas and Jamuna Barua as Parvati (Paro) and Chandrabati Devi as Chandramukhi. This was Barua's first of three language versions of the story, the second being in Hindi and the third in Assamese.

David Copperfield is a 1935 American film released by Metro-Goldwyn-Mayer based upon the Charles Dickens novel The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger. A number of characters and incidents from the novel were omitted – notably David's time at Salem House boarding school, although one character he met at Salem House (Steerforth) was retained for the film as a head boy at the school David attended after his aunt Betsey Trotwood gained custody of him.

The Dark Angel is a 1935 film which tells the story of three childhood friends, two male, one female. When the woman chooses one of the men to marry, the other, jealous, sends his rival off into a dangerous situation during wartime. The film stars Fredric March, Merle Oberon, and Herbert Marshall.

Dante's Inferno is a 1935 motion picture starring Spencer Tracy and loosely based on Dante Alighieri's The Divine Comedy. The film remains primarily remembered for a 10-minute depiction of hell realised by director Harry Lachman, himself an established post-impressionist painter. This was Fox Film Corporation's last film when the company merged with Twentieth Century Pictures to form 20th Century Fox.

Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar-winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame.

Dandy Dick is a 1935 British comedy film starring Will Hay. It was based on the 1887 play Dandy Dick by Arthur Wing Pinero. It is the second and last of his films to be based on a play by Arthur Wing Pinero – the first was Those Were the Days which was based on The Magistrate. Moore Marriott, who played an uncredited role in the film, later became a famous stuntman to Hay in films later on alongside Graham Moffatt, it was during the film of Dandy Dick that Marriott introduced the idea of being a stuntman to Hay.

Curly top is the name of a number of viral plant diseases, many of which affect food crops. They are often caused by curtoviruses (genus Curtovirus), members of the virus family Geminiviridae.

The Crusades is a 1935 American historical adventure film produced and directed by Cecil B. DeMille, and originally released by Paramount Pictures. It stars Loretta Young as Berengaria of Navarre and Henry Wilcoxon as Richard I of England. It was nominated for an Academy Award for Best Cinematography (Victor Milner) as well as for Best Foreign Film at the Venice Film Festival in 1935.

The Crime of Dr. Crespi is a 1935 American horror film starring Erich von Stroheim, Paul Guilfoyle, Jeanne Kelly, Dwight Frye, Harriet Russell, and John Bohn. It was released by Republic Pictures.

Crime and Punishment is a 1935 film directed by Josef von Sternberg for Columbia Pictures. The screenplay was adapted by Joseph Anthony and S.K. Lauren from Fyodor Dostoevsky's novel of the same title. The film stars Peter Lorre in the lead role of Raskolnikov (here named Roderick instead of Rodion).

Coal Face is a 1935 British documentary film short directed by Alberto Cavalcanti. With a film score by Benjamin Britten and a poem written and narrated by W.H. Auden, the film gives a glimpse into the lives of a Welsh mining community and the dangerous working conditions the miners routinely faced.

China Seas is a 1935 adventure film starring Clark Gable as a brave sea captain, Jean Harlow as his brassy paramour, and Wallace Beery as an extremely suspicious-looking character. The oceangoing epic also features Lewis Stone, Rosalind Russell, Akim Tamiroff, and Hattie McDaniel, while humorist Robert Benchley memorably portrays a character reeling drunk from one end of the film to the other.

Charlie Chan in Egypt is the eighth of sixteen 20th Century Fox Charlie Chan film starring Warner Oland in the title role. It was released in 1935.

Carnival in Flanders is a 1935 French historical romantic comedy film directed by Jacques Feyder. Its original French title is La Kermesse héroïque and it is widely known under that name. A German-language version of the film was made simultaneously and was released under the title Die klugen Frauen.

Car of Dreams is a 1935 British romantic comedy film directed by Graham Cutts and Austin Melford and starring Grete Mosheim, John Mills, Norah Howard and Robertson Hare. A tycoon's son falls in love with a woman who works at his father's factory. It was based on the 1934 Hungarian film The Dream Car.

Captain Blood is a 1935 American black-and-white swashbuckling pirate film from First National Pictures and Warner Bros. Pictures, produced by Harry Joe Brown and Gordon Hollingshead (with Hal B. Wallis as executive producer), directed by Michael Curtiz, and starring Errol Flynn, Olivia de Havilland, Basil Rathbone, and Ross Alexander. The film is based on the 1922 novel Captain Blood by Rafael Sabatini, with a screenplay by Casey Robinson, and concerns an enslaved doctor and his fellow prisoners who escape their cruel island imprisonment and become pirates in the West Indies. An earlier 1924 silent film version of Captain Blood starred J. Warren Kerrigan as Peter Blood, the physician-turned-pirate in this Vitagraph production.

The Call of the Wild is a 1935 American adventure film directed by William A. Wellman and starring Clark Gable, Loretta Young, and Jack Oakie. Based on Jack London's novel of the same name, the film omits all but one of the book's story lines.

Broadway Melody of 1936 is a musical film released by MGM in 1935. In New York, the film opened at the Capitol Theatre, the site of many prestigious MGM premieres. It was a follow-up of sorts to the successful The Broadway Melody, which had been released in 1929, although, there is no story connection with the earlier film beyond the title and some music.

Bride of Frankenstein (advertised as The Bride of Frankenstein) is a 1935 American horror film, the first sequel to Universal Pictures' 1931 hit Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale and stars Boris Karloff as The Monster. The sequel features Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive reprising his role as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius.

The Bride Comes Home is a 1935 comedy film made by Paramount Pictures, directed by Wesley Ruggles, and written by Claude Binyon and Elisabeth Sanxay Holding.

Brewster's Millions is a 1935 British musical comedy film directed by Thornton Freeland and starring Jack Buchanan, Lili Damita and Nancy O'Neil. It is based on the novel Brewster's Millions with the action relocated from the United States to Britain.

Boys Will Be Boys is a 1935 British comedy film directed by William Beaudine which stars Will Hay, Gordon Harker and Jimmy Hanley. The film is set at Narkover School, where headmaster Doctor Alec Smart (Will Hay) becomes involved in the disappearance of a valuable necklace.

Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat.. Although the films They Drive by Night (1940) and Blowing Wild (1953) are not specifically remakes of Bordertown, they include many of its plot elements and similar scenes.

The Black Room is a 1935 mystery-horror film, directed by Roy William Neill. The movie stars Boris Karloff in a dual role as twin brothers (a doppelgänger motif). The film also features Marian Marsh and Robert (Tex) Allen. The film was released in Great Britain as The Black Room Mystery. The striking cinematography was done by Allen G. Siegler.

Black Fury is a 1935 American crime film starring Paul Muni, Karen Morley, and William Gargan. It was adapted by Abem Finkel and Carl Erickson from the short story "Jan Volkanik" by Judge Michael A. Musmanno and the play Bohunk by Harry R. Irving. Directed by Michael Curtiz, the plot is based on a historic incident during Pennsylvania walk-out in 1929, in which John Barkowski, a striking coal miner, was beaten to death by private company police.

Becky Sharp is a 1935 American historical drama film directed by Rouben Mamoulian and starring Miriam Hopkins. Other supporting cast were Frances Dee, Cedric Hardwicke, Billie Burke, Alison Skipworth, Nigel Bruce, and Alan Mowbray.

Barbary Coast is a 1935 American historical drama film directed by Howard Hawks. Shot in black-and-white and set in San Francisco during the Gold Rush era, the film combines elements of crime, Western, melodrama and adventure genres, features a wide range of actors, from good-guy Joel McCrea to bad-boy Edward G. Robinson, and stars Miriam Hopkins in the leading role as Mary 'Swan' Rutledge. In an early, uncredited appearance, David Niven can be spotted playing a drunken sailor being thrown out of a bar.

La Bandera (released in the United States as Escape from Yesterday) is a 1935 French drama film directed by Julien Duvivier and starring Annabella, Jean Gabin and Robert Le Vigan. It was based on the 1931 novel La Bandera by Pierre Mac Orlan. After committing a brutal murder in Paris, a Frenchman flees to Barcelona where he enlists in the Spanish Foreign Legion. He is sent to fight in Morocco where he unexpectedly bonds with his comrades and marries a local woman before his past begins to catch up with him. Like Duvivier's other works of the period, the film is infused with poetic realism.

Annie Oakley is a 1935 American biographical film directed by George Stevens and starring Barbara Stanwyck, Preston Foster, Melvyn Douglas, and Moroni Olsen. The film is based on the life of Annie Oakley.

Anna Karenina is a 1935 film adaptation of the novel Anna Karenina by Leo Tolstoy and directed by Clarence Brown. The film stars Greta Garbo, Fredric March, Basil Rathbone and Maureen O'Sullivan. There are several other film adaptations of the novel.

Amphitryon is a 1935 German musical film. Written and directed by Reinhold Schünzel, it is based on plays by Molière, Plautus, and Heinrich von Kleist, which in turn are based on Greek mythology.

Alice Adams is a 1935 romantic film made by RKO, starring Katharine Hepburn. It was directed by George Stevens and produced by Pandro S. Berman. The screenplay was by Dorothy Yost, Mortimer Offner, and Jane Murfin. The film was adapted from the novel Alice Adams, by Booth Tarkington. The music score was by Max Steiner and Roy Webb, and the cinematography by Robert De Grasse. The film received Academy Award nominations for Best Picture and Best Actress.

Ah, Wilderness! is a 1935 American film adaptation of the Eugene O'Neill play of the same name starring Wallace Beery. The picture was shot in Grafton, Massachusetts, at the common in the center of town, and was directed by Clarence Brown. Beery plays the drunken uncle later portrayed on Broadway by Jackie Gleason, and the film features Lionel Barrymore, Eric Linden, Cecilia Parker, Spring Byington, and a young Mickey Rooney. Rooney also stars in MGM's musical remake Summer Holiday (1948).

After Office Hours is a 1935 film starring Clark Gable and Constance Bennett and directed by Robert Z. Leonard.

6 June 1935 (Premiere, London)